Art Strike Information Maintenance and Dissemination Brigade (ASIMDB) ceases its transitional activities and dissolves into the current of DAta Miners & Travailleurs Psychique as a result of common positions and aims. The last day of ASIMDB activism is the 28th July, 2010 – The Death Strike.

The DAMTP constitution is to be announced soon afterwards.

Meno streiko informacijos palaikymo ir sklaidos brigada nuo 2010 m. liepos 28 d. – Mirties streiko – stabdo savo veiklą ir perleidžia visus įgaliojimus duomenų šachtininkams/ psichodarbininkams – DAMPT (DAta Miners & Travailleurs Psychique). Tai tėra tik formalus veiksmas, nes ASIMDB ir DAMTP dirba išvien jau nuo 2009 m. Alytaus meno streiko.

DAMTP manifestas bus publikuotas netrukus po Mirties streiko.

Solidarizuodamiesi su elektrinių ir santechnikos komunikacijų industrinės sąjungos artimiausias tris dienas Kvinslende, Australijoje, rengiama protesto akcija mes skelbiame:

Neatidėliotiną psichoelektroninės komunikacijos industrinę akciją

Nuo pat šios akimirkos iki 3 šiųmetinio Jupiterio ir Neptūno susijungimo žiemos saulėgrįžoje gruodžio 21 d. 17.47 val.

Jokios dvasinės nei elektroninės komunikacijos darbo tikslais – t.y.: jokių el. pašto persiuntimų, el. žinučių, komunikavimo internetu ar telefonu ir pan. O taip pat jokio dvasinio komunikavimo su mirusiais, nemirusiais, gyvais ar dar negimusiais.

So far our negotiations with CAC at Vilnius did not gave any results we are informing about the situation and declaring our resolve.

Shortly about the pretext: later this year CAC at Vilnius is planning to held the even which would resume all the best art events through the last decade. CAC as an institution appointed itself to decide the historification of the national arts scene. Alytus biennial events were on the scope of the institution and the curators of the decennial contacted ASIMDB to discuss the presentation of the documentation from the archives.

 Since the first biennial “Beware! Politics!” our task was to propagate antibiennalization, to mock the structures of the “serious culture”, to avoid capitalist specialization and to erase the demarcation line between art and politics what means simply to bring back to life inherent human right to make himself social decisions and to have right for self expression, instead of watching the spectacle. 

 Therefore the invitation by CAC simply means the intent not only to enlist Alytus Biennial as one of the mostly influential Lithuanian Art factors, but also to reduce it till miserable artistic simulation. From the other side this particular invitation of the art strikers to partake elitist art stage event proves the absurdity of the art world structure: the real art workers, who are in trust of capitalist propaganda and working hard all the time, did not get any attention while the art mockers are getting the main attention. Is it really worth endeavour to still trust capitalist poisonous art promoting system?